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Susan brought us evening prayer from the Northumbrian community. She asked about Halloween costumes in our past. A cat... geologist (with vest and hard hat)... Harry Potter... Yin and Yang... a spider... and Clark Kent.
Following Jesus, 1st yr: Rob, Tiffany; 2nd yr: Michael, Mason; 3rd yr: Lanie 4th yr, Joyce, Susan; 5th yr "Wide Angle," Phyllis. Mentor: Scott. Absent: None.
Tiffany, reading through Leviticus and Numbers, was reminded of social media "terms and conditions" that we all scroll through: violate the terms, lose your account. "It isn't punishment," she said, "but more like cause and effect!"
Michael was amused to see the Gospel Writers as "Evangelists" with all the negative connotations of that word in our culture.
Mason was taken by the Diatesseron, a once-popular composite of all four Gospels in one book, to iron out duplications and inconsistencies. We now see that as a foolish effort that loses what's rich and individual to each Gospel.
Joyce and Susan are fine with Bretherton. They warned that "ideology" easily becomes "idolatry." Reducing the Bible to ideology is like reducing a body to biology.
Rob appreciated the tent-like structure of the Israeli camp in the wildnerness. (Scott wonders, was this layout of tents later incorporated in the temple, or did the remembrance of the late, great temple inform the story of the tents in the wilderness?)
Lanie liked Augustine's image of two cities, the City of God and the City of Man. Not that one is good and the other bad, she said, but that both are heading towards salvation, though not always by the best path.
Phyllis hadn't looked at the story of Jericho from the city's point of view. Every image has its shadow, she cautioned.
Discussion turned towards the notion of punishment, especially the idea that a God of Justice demands that a scapegoat must suffer for the sins of all. Scott learned lately that this idea, so familiar to us, is alien to Orthodox Christianity. They blame it on the Roman justice system! See Scott's article Jesus Saves -- but how?
We were all fascinated by the "Grid" portion of Koyaanisqatsi (1982), dir. by Godfrey Reggio, scored by Philip Glass. The title is a Hopi word for "life out of balance." After our session, Mason sent us these links:
The clip we watched: https://www.youtube.com/watch?v=4h8pJW-gvd4
The sequence with the "meat" footage: https://www.youtube.com/watch?v=QI2IlA3ztIo
The entire movie (not the greatest capture quality): https://archive.org/details/koyaanisqatsi.-1982.1080p.-blu-ray.x-264-yts.-am
After some discussion of what we saw and what that was like, we focused on the "time lapse world" depicted in the movie. When we explored it through theological categories, we agreed: This time lapse world in its creation was exciting, predictable, back-and-forth, moving, constant. Sin (or "brokenness") arose in our recognition that this world seemed mechanistic. It kept going even if something human goes wrong (like the near-crash of the bicycle). There is no time for pain. Thousands of little lives we see are oblivious to each other, and oblivious to their part in the overall flow so overwhelming to us. Judgement might be a power outage, a 9/11, or any interruption to the daily flow -- maybe even a positive thing. (Scott just remembered being in NYC during a snow storm: Times Square turned into a joyous snowball fight.)
Redemption wouldn't be a return to the frenetic grid, but a cooperation with nature. Tiffany connected to culture by describing the cities retaken by nature in The Last of Us. Connecting to Tradition,, we noticed how time jumps hundreds of years between chapters of the Bible. We referenced Psalm 90 - "1000 years in thy sight are like a watch in the night."
Looking for insights, we wondered, is the time lapse view God's view? How do we benefit if we look at the world that way? Susan pointed out that this is an element of Buddhist thought, to see our own life as one cog in a giant wheel -- so we don't grasp on to it as if it's more important than any other. "This de-centers our perspective," she said. Of course, when God became man and dwelt among us, he gave up that time lapse view to experience the journey our way.
To apply our theological reflection on the time lapse view of the world, perhaps it's a good idea just to close our eyes a moment to remember that bizarre, mechanistic, frantic, and yet weirdly beautiful world that we're a part of -- before we step into it at our daily pace.
PS - Did we mention that the film's director was a Roman Catholic Priest and the composer professes to be a practicing Buddhist?
Scott will bring the worship and a GQ. Phyllis will bring something to kindle a T.R., perhaps a personal experience (a "critical moment" when perception changed).


















